Most Anticipated Since #17

What Is It?: Angel #26- Boys and Their Toys, Part One (Written by Brian Lynch; art by Stephen Mooney)

Timing: Things are finally back in chronological order. A while after Angel #22.

Warning: The bigger spoilers will be written in black text. Simply highlight to read. As this is a review, there will be some minor "spoilers" sprinkled throughout the text that don't warrant being hidden. If you have not read the issue and don't want to know anything about the plot, don't read this. Spoilers for previous issues will obviously not be hidden.

REVIEW: The idea has been going around for a while. Brian Lynch first mentioned that a hack screenwriter would be making a crappy movie out of the events in LA, and that our heroes would go to check it out. Back then, it was said to be part of the SPIKE series. But instead, it kicks off something that is as sad as it is hilarious... Brian Lynch's last three issues of ANGEL ever.

Why funny? Well, the plot is insane in the best way possible. Angel goes to San Diego Sci-Fi Festival ("Rip-off of the Comic Con," says Connor) and catches a screening of "Last Angel in Hell." It's starring Nick Cage as Angel, Jorge Garcia as Gunn, a dog as Betta George, and a lady as Spike, who is Angel's love interest. To top it all off? It's directed by Michael Bay. Okay, it's doesn't say that exactly, but the director is a spitting image of Bay, and has a similar love of explosions. So it's Bay. Along with Angel, we get a sneak peak of the film that is glorious in its complete cheesiness (get the entire thing in Brian Lynch's "Last Angel in Hell" Angel annual this December). The scene with the movie and the crowd reacting is just sheer brilliance, commenting on shitty action films, the nature of fandom, and the canon issue in five of the best comedic comic pages ever. While the "Last Angel in Hell" material is funny for obvious reasons (and even funnier to watch Angel witness this complete mockery of his life), the bespectacled fellow that asks Bay about the canonical status of a "Last Angel in Hell" tie-in comic is Brian Lynch's wink at his loyal readers. It must be frustrating writing for a fandom as canon-obsessive as this one can be, and this little fun-poke is just what the Buffyverse fandom needs to lighten up about the canon issue. Why are we like this guy, who has "lost much sleep" over the canonical status of a story? If the story is good, the story is good. That's it.

And this one, even putting the hilarious "Last Angel in Hell" stuff to the side, rocks. Groosalugg's flaming sword--the weapon that killed Angel and Connor--has gone missing. Why? "Not many weapons can claim it killed you. Three or four, at most. So far." A standout line, though it isn't as shiny as it would have been if the grammatical error had been caught. It should have read "Not many weapons can claim to have killed you" as opposed to "it killed you." The former refers to the idea that few weapons killed Angel, the latter makes it seem as if there aren't many weapons that would claim the flaming sword killed Angel. English major. Sorry. The moment is actually really cool, and not only because it's awesome to see Angel, Groosalugg, Connor, and Kate (in her normal clothes, thanks to Mr. Mooney) hanging out together. It also shows how Connor is web-savvy, how research is going to change drastically with use of the interwebs.

Okay, rambling. It's late. This is what happens when I try (ahem and fail) to get reviews out on time with my schedule.

The issue essentially becomes an Angel and Spike team-up when their paths cross at the Sci-Fi Festival. It's got all the comedy of The Girl in Question, though more arc significance. Instead of seeing Angel and Spike chase around an ex-love (which was admittedly fun), they simply deal with each other in a very post-After the Fall way. Their relationship has changed, and this reflects it. Angel is aware of Spike's unspoken affection for him, and despite the consistent snarkiness, they're able to... almost hang out. As friends. Spike openly admits his lack of direction now that he has a completely open path before him, and Angel understands that. These characters have come a long way since Not Fade Away, and it's great to see some of the seeds planted in #17 finally starting to grow.

Also, Jeremy is in this. Yup, Spike's buddy from Spike: After the Fall that bit it, thanks to Illyria tragically misunderstanding something. He fits in perfectly with Angel and Spike in the setting, which makes me thrilled that Brian Lynch confirmed the character would appear in Spike Unlimited.

There is a big surprise at the end (though it isn't a surprise if you've been following the covers), that makes this episode at sort of sequel to the Buffy: Season Two episode, Halloween. The same spell goes down, turning evil assassins that came to the festival to purchase the fiery sword (guess why?) into cute cuddly bears and it turns Spike into... well, read the issue. It's great, and it's going to make for some hilarious and possibly heavy and character-reveally moments in the next installment.

Brian Lynch excels as much at a funny issue as he did with the heavy stuff in After the Fall. It's the funniest thing I've read from him yet, and that's including all the amazing stuff from Shadow Puppets. I mean, check out these lines:

"Angel, I have planted a flag at the beginning of the line to enter the auction room. A few similarly dressed warriors tried to invoke something called 'cutsies' but I held my ground."

"Hey, look at you yelling, which is the opposite of subtle."

"Horses, prepare to be played!"

"It had commentary on the human condition and love and drama and that stuff is great. Also I love explosions. And hell, with its flames and crap, was like one big ongoing explosion."

But yeah. You get the point. Very funny. Very appropriate for the characters at the point in the series. Forward movement, engaging storytelling. Just what the series needed.

Brian Lynch is on the regular ANGEL title for one more issue that ties up this storyline, and then after The Last Angel in Hell, he's said he's done with the title. He'll be writing the on-going SPIKE series, but this sort of feels like the end of an era. So sad, but I can't wait to see what Brian Lynch brings to our other favorite ensouled vampire and what Bill Willingham brings to ANGEL.

Art: The art is very good. Not Stephen Mooney's best or most consistent, but still very good. The opening pages are all out great, and there are a lot of perfect panels spread through-out, but there was one character that seemed to really suffer... and that's Jeremy. I wasn't really a fan of the way Mooney drew Jeremy, and while that would normally be a footnote, it's a bit more important here because a) we haven't seen Jeremy in a long time and b) he's in the issue a lot. Mooney's Angel, Spike, Groosalugg, Kate, and Connor likenesses are as great as they've been since Mooney's wonderful After the Fall arc, and he does great with the comedy here. I just would have liked a bit more details on Jeremy, who seemed to get pushed to the side a bit here.

Covers: Two great ones. Nick Runge's cover shows Angel and Spike surrounded by fans at the Sci-Fi festival. Spike looks great, and the setting is really cool, but something is off with Angel's face. Still a very cool cover. Stephen Mooney's is just as interesting, appearing to be Angel as an action figure. Both covers work hand in hand to show how big Angel has gotten in his own fictional world, winking at the real world Angel fans with a bit of meta-fiction.

Characters We Know: Angel, Spike, Connor, Kate, Groosalugg, Jeremy.

Rating: 10/10

As Fun As You'd Expect

What Is It?: Fallen Angel: Reborn #3. (Written by Peter David; art by J. K. Woodward)

Timing: Directly following Fallen Angel: Reborn #2. The miniseries takes place in Angel: Season Five, between "Time Bomb" and "The Girl in Question."

Warning: The bigger spoilers will be written in black text. Simply highlight to read. As this is a review, there will be some minor "spoilers" sprinkled throughout the text that don't warrant being hidden. If you have not read the issue and don't want to know anything about the plot, don't read this. Spoilers for previous issues will obviously not be hidden.

REVIEW: If you caught the first two issues and liked them, you'll like this too. It's nothing really surprising, nothing super insightful, but it's a fun action-adventure starring two awesome female characters. Illyria and Liandra, the Fallen Angel, really play very well off of each other. Illyria's first person narration gives insight into Liandra due to Illyria's cold, almost scientific observations, and the snark that Liandra throws Illyria's way makes this pairing both funnier and more tense.

I usually like to give really long reviews that really get into why the issue was good, but the fact of the matter here is that there isn't much plot or character development to talk about. And that's not a bad thing in this case. The plot is simply that Illyria is trying to get her icons in order to become her full self once again. It's your essential epic quest. And we already know what happens to Illyria after this, so, as a rule, this book can't really do anything character-changing. And yet... it succeeds. Partially because it revels in the endless fun that is making Illyria fight creatures. Illyria fighting creatures never fails. What it also does, though, is tell the story through visuals. In a way, it excels at what ANGEL #25 failed at. It takes the story from point A to point B, but still manages to tell an almost entirely visual story. It has sight gags, cool kills, and a stunning setting.

This seems to happen once in every Fallen Angel: Reborn issue, but there is one line where Illyria speaks out of character. Peter David loves sarcasm--hence Liandra--but Illyria doesn't. Illyria just wouldn't say "Oh, wonderful-" when she's being attacked by a polar bear. But the rest of the issue, which is narrated by Illyria's inner monologue, is consistently in character, so give it up for Peter David!

Art: Very nice. As I mentioned before, the issue is very visual, so Peter David really leaves a lot of the storytelling to J. K. Woodward, who does a phenomenal job. Get this dude to do some more ANGEL books! I've got an interview with Mr. Woodward coming soon, so keep a look out.

Covers: The three covers all feature Illyria and Liandra in this snowy dimension. J. K. Woodward's main cover is consistent with his interior work, and my favorite cover of his we've seen so far in this miniseries. It features Illyria and Liandra staring at a lanky, looming monster covered in a sheet of ice. Woodward's other cover pays homage to MADAGASCAR, and it's a riot. Runge's cover is also exceptional, featuring our two heroines in more iconic comic book poses as snow falls on them. Me gusta.

Characters We Know: Illyria.

Rating: 8/10

It's a mad world

If you missed my super late review for ANGEL #25, click here.

My review for FALLEN ANGEL: REBORN #3 will come out by Monday.

My reviews for ANGEL #26 and BUFFY #28 will be up on Wednesday, on time!

And now, I have some me to talk about.

I've been doing short films with my production company, Stinky Burger, for a while now. We've made a lot of comedy and a lot of horror, so I figured it was time for something a bit... as in a lot... different.

So I wrote and shot this film called "The Dreams in Which I'm Dying." It's a dramatic short, starring two great actors that I had only worked with in theatre stuff prior to this. They are Dennis Allen and Kari Nicole Washington, and you should really check them out.

Also, check out the film:



Coming along with the ANGEL #26 review is the first video promo for my ANGEL fan-film, "Gamers: After the Fall." It features Gunn (as played by Dennis Allen) calling out... eh, well you'll see.

Stay tuned!

Sorry! At last, the review for ANGEL #25

What Is It?: Angel #25- Drusilla, Part Two (Written by Juliet Landau and Brian Lynch; art by Franco Urru)

Timing: Directly after Angel #24. During the fall.

Warning: The bigger spoilers will be written in black text. Simply highlight to read. As this is a review, there will be some minor "spoilers" sprinkled throughout the text that don't warrant being hidden. If you have not read the issue and don't want to know anything about the plot, don't read this. Spoilers for previous issues will obviously not be hidden.

REVIEW: Well, #24 was great.

I know I took too long to review this. I actually planned on writing up my opinion right after I read it, but then I sat down, read it, shook my head in confusion, read it again, cocked my eyebrow in confusion, read it again, and then sighed in confusion, figuring I needed some time to digest it. Since then, I've seen a lot of people's opinions, from any of the many Slay Alive users to Brian Lynch himself. There are a lot of theories about it, and I guess I just kinda had to come to my own... and I think I've got it figured out, but I'll let you be the judge.

First of all, this two-parter should have been a one-shot. Would it take away from the graceful, exercise-in-how-much-Franco-rocks that #24 was? Yeah, definitely. Franco had the entire first part of this two parter to strut his stuff and make the entire issue a beautifully bloody mess. But the success of that issue depended entirely on what the next issue did with all the set-up. And unfortunately, the answer is not much at all. The structure of the issue is this:

Pg 1-4: Drusilla continues to walk through her massacre.

Pg 5-14: Drusilla, suffering from visions, predicts some of the big events Heroes style by drawing various LA-in-Hell scenes.

Pg 15-22: A lot of audience confusing, little to none audience explanation.

It might have made an interesting little one-shot that explored the crazywonky place that is Drusilla's mind, but for a two-parter... you just expect more. There were some cool flashbacks popping up throughout the issue. We get to see how Angelus and Darla destroyed Dru's life and then turned her, which was interesting... but even the flashbacks weren't organically inserted, as they were in the show and in "After the Fall." ANGEL #4 starts with how Angel found out he was human because ANGEL #3 ended with us find out out he was human. Perfect. THE GIRL IN QUESTION had flashbacks of the Immortal screwing Spike and Angel over, because the episode was about the Immortal screwing Spike and Angel over. I can't think of any way to relate Drusilla's flashbacks to what happens to her in this issue.

Now, onto the speculation. I won't black text these spoilers, because a) the issue has been out for a while and b) this doesn't really have any impact on the overall arc of the series. First, it's never really revealed who wanted Drusilla locked up. Is it hinted that it's Wolfram & Hart? Um, kinda? Only because they are the default ANGEL villains. It doesn't really matter in the long-run, but the idea that there was a larger plan in keeping Drusilla locked up was one of the most interesting ideas in #24, and it isn't elaborated on at all in this issue. I remember writing in the review for #24 that "(the) second part will surely reveal who is behind this wonky experiment and why." Optimistic me.

Then, Drusilla draws a bunch of stuff and levitates. While she levitates, one of her drawings (a bunch of people, including KENDRA the Slayer she killed and the Chaos demon) comes to life. The people from the drawing swarm her and presumably knock her out. Well... what I think happened is this. Hell amplifies power. Hell screws with power. Just refer to the opening monologue of #3 and Illyria's entire After the Fall arc for that. So my best guess is that Hell is amplifying Dru's power, hence her levitating, and hence her psychic abilities amplifying so much that she is able to make her own artwork come to life. There's nothing in the actual text of this two-parter to justify that explanation, but it's context in After the Fall seems to suggest that. It's such an interesting concept, and I wish it was played with more. While #24 needed to be super visual and succeeded at that (it's probably my favorite post-After the Fall comic of the year after Become What You Are), this issue absolutely needed to be more ploty and spend more time on certain things. And it really, really didn't.

The issue ends with Drusilla waking up. She's in LA gone to Hell, only she doesn't see it as Hell. She sees it as her homeland, before she was sired. It's all golden (literally) with memories and warmth and love. She goes into her house, hears her mother's voice, and rejoices in her teddy bear. It's a sweet and interesting ending to an otherwise confusing issue, but it also brings up a few questions. I'm fairly certain that what Landau intended us to think that this is how Drusilla sees Hell. That she can rejoice in Hell. That, to Drusilla's messed up mind, Hell is the closest she can get to the happiness of her human home. But if that's the case, there should have been some cutaway shots that show Drusilla walking through how Hell actually looks to show the juxtaposition to how she sees it. To really make the point instead of just hint at it.

Basically, #24 stands as a brilliant, beautifully executed issue. #25 isn't a bad read, but it is a bunch of potential wasted. There should have been more time spent on the actual plot, and I do wish some of the stranger sequences had been executed a bit differently. At this point, while I really enjoyed Gunn and Illyria in Become What You Are and Drusilla in #24, I'm ready for the dream team, Brian Lynch and Stephen Mooney, to bring back our two favorite vamps with the Boys and Their Toys two-parter.

Art: Fantastic, as always. Franco Urru is my favorite artist working today, and most of the points I'm going to give this book are thanks to his wonderful pencils an Fabio Mantovani's great colors. Drusilla continues to move like Drusilla does (like a dancer), but this time, the highlight is the creepiest scene ever in an ANGEL comics. Drusilla picks up a severed head and attempts to talk at it. Franco pulls off the macabre as good as he does the action and the emotion. I can't wait until the SPIKE series starts so I can get a steady dose of Urru.

Covers: Oddly enough, none of the covers are as great as the ones for #24, but let's be honest... the covers for #24 were uncommonly great. Urru and Runge both turn over decent covers, featuring Drusilla reveling in LA gone to Hell. The photo incentive is Angelus hugging Drusilla, and the superexpensiveincentivethatiunfortunatelycouldn'tafford is another great one by Sam Shearon, who should definitely stay on the series as an on-going cover artist if they can't nab Alex Garner!

Characters We Know: Drusilla. Angelus and Darla, via flashbacks. Angel, Connor, Gunn, Cordelia the Dragon, Spike, Illyria, Wesley, the Chaos Demon, Kenda, and Spike's harem also appear via Drusilla's artwork.

Extras: There is another photo gallery, and it's a lot more... random than the last one. Juliet Landau really shows how she can look like totally different people. I love the short-haired Fight Club homage photos, and the two paintings by Mark McHaley and Sam Shearon at the back are really great.

Rating: 5/10

Illyria Chats With the Exs

What Is It?: Angel: Only Human #2 (written by Scott Lobdell; art by David Messina)

Timing: Directly after Angel: Only Human #2.

Warning: The bigger spoilers will be written in black text. Simply highlight to read. As this is a review, there will be some minor "spoilers" sprinkled throughout the text that don't warrant being hidden. If you have not read the issue and don't want to know anything about the plot, don't read this. Spoilers for previous issues will obviously not be covered.

REVIEW: Not only is Only Human the best non-Lynch, post-After the Fall tale IDW has told so far, it's also the funnest. Which is weird, considering the dark place both Gunn and Illyria are at, mentally. But while this issue does explore the ramifications of their actions in Hell, it keeps the emotions as an undercurrent instead of letting them take over the plot. And the plot is damn interesting, as it involved The Scourge using (SPOILER:) a device from Illyria's recent past to revive another Old One. Yup, The Scourge is back, and these demon baddies are up to their old ways of killing the "impure" breeds of demons. To tell the truth, the set-up that re-introduces The Scourge is way too similar to "Hero" (the last episode they appeared in). I mean, they had the sympathetic demon kid, they had the big but friendly group of demons, and they even had the flashback with them being hunted. I know, The Scourge doesn't do much else but hunt these kind of folk... but a different way of introducing them would have been nice.

That said, the motif of purity that runs through this issue is pretty amazing. The Scourge claim to be pure, going so far as to dedicate their lives to cleansing the world of the impure. But... in the face of Illyria, an Old One, a true pure demon... what are The Scourge? How can they be pure if only the Old Ones are pure? And now that Illyria is inhabiting Fred's body, is she pure anymore? She's exploring her humanity, which she admits is there, but she's still the closest thing the Earth has to a pure demon (SPOILER:) Well, until page 20. And going with the motifs of purity and humanity, Gunn was a vampire. A moment later, he's a human. But doesn't what you were in the past always inform what you are today? If Gunn was a vampire, how can he be purely human--only human--now? I'm stoked that Lobdell's series is posing these questions only two issues in, especially in the midst of such a fun and action packed story.

Sometimes, though, Scott Lobdell has trouble finishing a thought. During Fred's uncle's funeral, Gunn's thought caption reads, "It doesn't last long... but honestly, every word is agony." We know he means that being at a Burkle is painfully ironic, as the Burkle's don't know Fred is dead and her demon-possessed corpse is walking around, passing for Fred-gone-goth. But make that connection. If the thought is good enough to be started, it's good enough to be finished. Also, there is some syntax confusion that rubbed the English major in me the wrong way. After Illyria has a conversation with Fred's old prom date (which makes a great connection to her behavior in Spike: After the Fall #3, elaborating on how she's beginning to use Fred's romantic/sexual side to her advantage; great continuity!), Gunn's thought captions say, "I let her digest whatever it is she's feeling. Just grateful it isn't Jason Polt." Again, we know he means to say that he's grateful she isn't digesting Jason Polt. But the way the sentences are written, it is saying that Gunn is grateful Illyria isn't feeling Jason Polt. The "digesting" needs to be repeated, or the sentences need to be rephrased.

Grammatical issues aside, the issue was crazy good. Better than the first one, which was already a really cool read. It's not a full number grade better, but it's damn close. I saw a TPB solicited, but really... IDW should give Only Human the hardcover treatment. This is a badass series, and is definitely going between my Volume Six and Volume Seven hardcovers when they come out.

I know, I'm a geek.

Art: You may as well copy and paste my praise for David Messina's art from #1 in here. One thing you can leave out, though, is my gripes about Gunn's inconsistent beard. The art in this issue is 100% consistent, and Messina added that he would be fixing Gunn's beard for the collection.

Covers: Both of these covers are considerably better than the ones from the first issue. The Messina cover is at once brutal and beautiful, featuring an image of Gunn in creepy blue lighting that makes his eyes all shadowy, with an image of Gunn as a vampire slicing through the middle of the issue. The same format is used for the rest of Messina's covers in this arc, and I love it. And this time, Dave Dorman's cover is just as great as Messina's. Over a beautiful blue and purple backdrop, Gunn and Illyria, all promed-out, are dancing. Gunn dips Illyria, and to his horror, demonic tentacles whip up in front of them. That could be collection cover status.

Extras: If you have a question for Mr. Lobdell, ask it here! I'll be conducting an interview soon.

Characters We Know: Gunn, Illyria, The Scourge, Wesley (flashback), Fred (flashback)

Rating: 8/10

I Love Knowledge

I'm back in college, so updates won't be as immediate as usual. They'll just be a few hours later at most, but still... I love you guys enough to give you a bit of a heads up.

Here's when stuff will be posted:
REVIEW FOR Angel: Only Human #2- Tonight
REVIEW FOR Fallen Angel: Reborn #3- Tomorrow night
REVIEW FOR Angel: Blood and Trenches TPB- Before October
REVIEW FOR Angel: Smile Time HC- Before October
REVIEW FOR Angel Volume Five: Aftermath HC- Before October

Also, I was lucky enough to be chosen by SLAY ALIVE to be a member of their blogging staff. Check my stuff out over there!

Wondering what the title is a reference to? Check out this song, I Love Knowledge, a parody of Asher Roth's hit. It's by the lead MC in one of my best friend's bands, and I must say... it's better than the original.

The Storyteller Reclaims His Comfy Chair

What Is It?: Buffy the Vampire Slayer Season Eight, Issue #28: Retreat part III (written by Jane Espenson; art by Georges Jeanty).

Timing: BtVS, Season Eight. Right after "Retreat part II."

Warning: The bigger spoilers will be written in black text. Simply highlight to read. As this is a review, there will be some minor "spoilers" sprinkled throughout the text that don't warrant being hidden. If you have not read the issue and don't want to know anything about the plot, don't read this. Spoilers for previous issues will obviously not be covered.

REVIEW: If you liked "Storyteller," you'll like this. To discover who is Twilight's mole, Andrew picks up his trusty video camera and follows his friends around, accidentally catching some of the most tender and revealing moments we've seen all season.

As far as the Funny goes, this issue always walks up to the cusp of hilarious, peeks over, then turns back. It's not as wildly funny as storyteller, and maybe that's appropriate given the fact that this is the middle issue of a very dire arc. There are standout lines like "The next time I catch up with Xander, he's taking the time to just sit with his friend Buffy and yak" as Xander and Buffy yack next to a gigantic yak. He has two conversations with Giles in the issue that I thought would be crazy funny because the two have such chemistry, but it just stayed pretty funny. What might have been the issue is the needless exposition where Bay, Oz's new wife, explains what has been going on with the slayers. They're getting rid of their magic by pushing it back into the Earth via hard work, and that is so interesting, but it's explained by Bay as soon as the story gets rolling, then showed to us directly after it's explained, and then once again explained when Willow and Oz get to chatting. No big, because the pages that follow contain some huge pay-offs, but how much better would the issue be if the story got rolling right away?

Oh. But one moment that was truly hilarious was Andrew illustrating his past with Dark Willow. And a super tiny Jonathan.

I try not to do spoilers here, but with an issue that pretty much thrives on paying off what came before, it's kind of hard not to. I won't get into specifics, but Buffy/Faith have a conversation that easily shows where they're at, how they're different, and sort of what they can do for each other. Xander and Buffy have a talk that touches on the disconnected feeling Buffy has been suffering from since her resurrection in Season Six. It's a sweet moment, and really (SPOILER:) sets Buffy/Xander shippers up for heartbreak at the end of the issue. And as big as these conversations might seem, the one-two-three punch that follows is even better.

Punch #1- Willow and Oz talk. This is the emotional core of the issue, and it gets to a more sophisticated place than the series has been at for quite a long time. Oz gets Willow to confess her very adult fears to Oz, who responds in a way that only Oz can. Willow gets a bit teary, and since we're all so invested in these characters, I suspect she won't be the only one.

Punch #2- As soon as Oz leaves the room, enter Buffy. She's ready to talk to Willow about something that's been eating at her for a while. Those left puzzled by the resolution (or lack thereof) of the Time of Your Life arc might rejoice in this conversation. Espenson is starting to piece together the puzzle pieces that Whedon, Vaughan, Goddard, and more have set up. It's been a long time coming.

Finally, punch #3- Remember in #12 when everyone walked in on Buffy doing something? Well, this time Buffy does the walking in, and she walks in on something I've been wanting/expecting for a long time. May I just say.... YES! Great, great character choice to have (SPOILER:) Xander and Dawn hook-up. It's been going that way for a long time, longer than Buffy: Season Eight has been around, and I'm damn glad.

So you've been hit with the 1-2-3 punch. What would you do if I tell you that Jane Espenson follows it up with a pretty big cliffhanger? Well, don't get too excited, because in this crazy emotional issue, the cliffhanger didn't feel exactly organic, and if THE DOG had been used instead of the cat (read the issue, you'll get it), Andrew's previous joke would have been paid off. A missed opportunity, yeah, but it's still a pretty exciting ending.

Battle is on the horizon...

Art: Georges Jeanty. Loved his earlier stuff, hated his recent stuff. The art in this issue is a definite improvement, and Jeanty is re-learning to spend the appropriate amount of time on facial expressions and likenesses. For the first time ever, Oz and Andrew don't look alike. Buffy looks like Buffy, Willow looks like Willow, Giles looks like Giles. It's sort of annoying that this is happening during the 28th issue of the series, but the art is back on track.

Covers: Beautiful cover by Jo Chen. Buffy and Willow are meditating (some folks over at Whedonesque are saying that Jo got the pose wrong, but that is a complete non-issue for me) while Giles watches in the background, scratching his chin. I'm sad that this is going to be the last Jo Chen cover we see this year, but at least she went out nicely. Willow's chest looks like she's more Christina Hendricks than Alyson Hannigan, but that's the only flaw I can find. Jeanty's cover is once again way worse than his interior art. Buffy looks like she's sleeping with her eyes open while standing while raking while wearing crazy Tibetan clothes. Willow's head looks like it has a huge indent in it. It looks like a crescent moon. Is that Faith or Kennedy behind Buffy? Awful cover, and it's a shame seeing as how his interior art improved so much.

Characters We Know: Andrew, Giles, Leah, Willow, Oz, Rowena, Kennedy, Satsu, Buffy, Faith, Dawn, and Xander.

Rating: I haven't been able to give this high a grade to Season Eight since last November, but here it is.... 9/10