...8, 7, 6...

Four days until the big goodbye to Angel from IDW Publishing. Get the tissues (and battle axe) ready!

Moment Number Eight

Spike Asylum #1

Spike Goes to Mosaic

There is definitely a Joss quote that says what I'd like to say about the opening scenes of Spike Asylum #1 (Brian Lynch and Franco Urru's first Buffyverse issue ever) way better than I'm about to, but I suck pretty hard at finding quotage. More than Buffy Season Eight, more than Fray, more than Angel: The Curse (though I enjoyed all of those beginnings), Asylum showed that a comic about a Buffyverse character could be as alive as a televised episode about a Buffyverse character. Spike's personality was big--he moved with violent grace, he jumped off of the page, and when you read his dialogue it was like James Marsters had recorded a voiceover of the damn thing. He does that, doesn't he? Dresden Files? Anyway, I know it's not so much a moment as a jump in quality, but it set the standard for not only IDW but every Buffyverse comic to come. And, I must say, the rest of the Angel run from Scott Tipton, Mariah Huehner, David Tischman, and Brian himself has done a great job of not dropping this incredibly slippery ball.

Honorable Mention: Lorne Exits Stage Right (Angel: Music of the Spheres). The passing of Andy Hallett hit the Buffyverse hard. He was a lovely and talented person, and IDW did the classy thing of retiring the character he played. Giving him a hero's exit, this John Byrne one-shot ended on a bittersweet yet heartwarming note. When Angel wonders aloud, "He's... one with the universe now. But I'd like to think he can still hear us. And that he knows how much he's missed," the reader can read Lorne's response: "Oh, I can hear you Angelcakes. And it's music to my ears." The book ends with a wonderful text tribute from Mark Lutz, who played Groosalugg and was a personal friend of Andy's.

Moment Number Seven

The End(s)

Angel: After the Fall #17 & Angel #44

It was impossible for me to split these two for a couple of reasons. One, they're both giving a new and somewhat definitive end to Angel as a series and two, the latter pays direct tribute to the former.

The first one has Angel, after visiting a comatose Gunn in the hospital and forgiving him (nicely echoing Angel's way less forgiving trip to visit Wesley in the hospital in Season Three--really shows how much Angel developed in After the Fall), walk down the streets of LA, this time toward the light. He reiterates his mission statement of redemption, acknowledges that he's done bad and is destined to do worse, but promises that--for now--he's here to help. Perfect closure.

And yet (thankfully) the series continued. Angel had more fights to fight, more demons to slay, and more friends to lose. It all came to a head in the final issue of IDW's on-going Angel title when he teamed up with his son to take down the villainous James (AKA Myr, whaddup). With the baddie scrunched, Angel walks into Wolfram & Hart, gives them the business, and then leaves, ready to go hang out with his son. He walks down the street, toward the light, in a direct reference to the final page of After the Fall. This time, however, as Angel walks, we see the faces of the people he's loved and lost looking at us, the readers. Wesley, Fred, Lorne, Cordelia, Doyle... a fitting, sad, happy, hopeful end.

Moment Number Six

Angel: After the Fall #4

Gunn Takes a Picture

This may not jump out as a big moment. It's quick, it's human, and a lot of other stuff was going on. However, this moment convinced me that Gunn was the best villain in the history of Angel because of how damn human he still was. In the final scenes of the fourth chapter of After the Fall, Gunn and his buddies infiltrate Wolfram & Hart in order to plant some explosive. Gunn also ransacks the place, saying that he's looking for supplies... but the only thing he takes is an old picture of him and his buddies. Angel, Fred, Wesley, baby Connor, Cordy, and Gunn... back when everything was happy and there was no betrayal and no Hell and no abandonment.

Oh, also, Gunn blows Wolfram & Hart to pieces right after that.

Honorable Mention: Eddie Hope makes an entrance (Angel #28). The first few issues of Willingham's run started the slow boil of what would become the James arc that would stretch through the end of the series. The first few issues were rather talky, which made Bill William's action packed back-ups starring the devil-on-a-mission Eddie Hope something fans looked forward to at the end of each book. The best Eddie Hope tale might be the first one; a simple assassination in a bar in which Eddie States his purpose... getting rid of those who committed atrocities in Hell. Simple, bad-ass, dark.

Thanks to Jay Valen Perez!

Interview with Mariah Huehner... and review for Angel #39

Angel #39

The Wolf, the Ram, and the Heart part 1

Written by David Tischman and Mariah Huehner

Art by Elena Casagrande

This review is going to be peppered with the best kind of pepper outside of actual delicious pepper. VIDEO INTERVIEWS!

Don’t mind the roar of the audience in the background. Mariah and I were surrounded by adoring fans of Angel and this site. There was a whole coliseum of them.

That, or we were at New York Comic Con.

Now, the issue.

It feels a lot like I wanted “Angel: Aftermath” to feel. Back when “Aftermath” came out, the biggest Angel arc had just ended. The character’s lives were changed forever. I wanted to read something that was simultaneously different from what came before but still consistent with the characters and the tone of the series. My expectations weren’t really met with that series, and now we’re in a somewhat similar place. The arc that Bill Willingham started and Mariah and David carried out has just finished. By the end of the arc, everyone had been changed forever. Connor took over as champion of LA, Spike left for Vegas, Illyria set out to find herself, and Angel decided to take a step back and let his son grow as a man. So again, I was faced with the same expectation. I wanted consistency, but I knew that things couldn’t be the same.

This book excels at doing just that.

The parallel with “Aftermath” continues, as both books feature the main action of the story moving away from the Hyperion. Thankfully, though, Kate doesn’t go around offering anyone churches in this book. Connor decided to sell the Hyperion… essentially because the writers are trying to take a more realistic look at things. It takes a shitload of money to own a place as big as the Hyperion… and the only reason that normal folks are able to afford owning that kind of space is because they rent rooms to paying customers. Angel and co., not so much. And this book finally addresses what I’ve been wondering since early in the series: How in the hell can they afford that place? Well, they can’t. Not anymore. And Connor, Gunn, Laura, and Mr. Polyphemus make a necessary move to new digs.

Now, about that crowd. It’s a good group. I’m still waiting for Laura to have a moment that really sells me on her (Polyphemus’s was when he let Spike use him as a ball), but she’s tolerable. I love the pairing of Connor and Gunn, though. I’ve been anticipating some actual movement for their characters since “After the Fall,” because… well, Gunn killed Connor. And then, last time they were together, Connor said that he wanted to cut Gunn’s throat. A bit unsympathetic, no? This book makes up for that. Connor realizes that he was in the wrong for that, but there is an air of tension between them that goes beyond that. I’m excited to see how the clearly capable Huehner and Tischman explore that.

There is a creepy scene with James. Or Jamerah? Or the other creepy alieny name he had before. Everyone else is going with James, so I’ll agree with them. They’re my fictional buddies. So, James. He kinda… has a goo… baby… thing. It’s similar to the birth of the soul eater, but this one looks very different. No idea where any of that is going, but it ups the horror factor to a level that Angel as a television show rarely took it to. It facilitates the different mood that the comic is playing with.

Now, to Angel. Angel Angel Angel. We knew thanks to the kind and good smelling folks over at Buffyfest that our eponymous hero was going to be removed from our current timeline. Not much I can say about that, other than the folks that pull him out are pretty much from where you’d expect. Good ol’ Wolfram & Hart. While they’re creepy as always, they seem less… lawyery in the future. And this time, when they say what they’ve said before (“We’re not the bad guys.”) I… kind of believe them. At least, they’re not the worst bad guys. James really screwed stuff in the future up, and Angel realizes that that means something he did in the past (his/our present) must have really been off base. They, for some reason, were unable to stop this threat. So Future W&H wants to enlist Angel to somehow make things right.

But Angel would rather jump off a building than do that. So he does.

And because this is a comic, it ends on that dramatic moment. It was solid read, and it felt very much like the beginning of an epilogue. The end of IDW’s Angel is coming, and Mariah and David are crafting what promises to be an excellent story.

Plus, Angel is wearing a hoodie. He sure knows how to rock a hoodie.

--VIDEO INTERVIEW WITH DAVID TISCHMAN NEXT WEEK--

Back-up story: “Eddie Hope- Sunset”

Written by Bill Williams

Art by Elena Casagrande and Walter Trono

While Angel gets a new beginning, Eddie Hope comes to an end. Not a deathy kind of end, though. The “Holy shit, that guy Angel and his crew really beat me up… and kind of for nothing. Gunn wasn’t even on my list, but I went after him anyway. I’m going beyond what my original mission was. Time to say fuck that and go home.” And that’s essentially it. The actual writing is more eloquent than that, but as the title implies, Eddie lets the sun set on his vengeance gig. It’s a good, if abrupt, end to the character. Bill Williams has consistently done a great job with shoving a big story into four pages, and while I would have liked a bit more breathing room for Eddie’s swan song, this does the trick. He was an engaging character, and the back-ups were always a pleasure to read. He’ll be missed.

Don’t miss my interview with Bill Williams, where he comments on Eddie’s final chapter: http://buffyversecomics.blogspot.com/2010/11/eddie-hope-and-bill-williams-bow-out.html

Oh, and just a bit of “I hope” here. While Eddie’s story end with the first part of “The Wolf, the Ram, and the Heart,” I really hope that it’s collected with the previous installments in the “Connorland” hardcover. It would be super awkward to have this one Eddie back-up in the final hardcover.

Eddie Hope and Bill Williams Bow Out: Exit Interview

SPOILERS: Read Angel #39. Don't be that guy. You know

that guy. That guy who gets spoiled by reading an interview

because he/she (girls can be "that guy" too, don't be sexist)

didn't have enough patience. Be warned, potential "that guy."

IDW Extravaganza

Pat Shand Interviews Bill Williams

Again: Exit Interview

Writer of the Eddie Hope backups in ANGEL

and SPIKE: THE DEVIL YOU KNOW

Buffyverse Comic Reviews: So, Eddie Hope dies. Very sad.

Kidding.

So Bill, Eddie Hope’s story end with today’s issue. After escaping from Team Angel, everyone’s favorite bright blue devil came to the realization that it’s time for a break. How do you feel Eddie’s decision to return home wraps up the character?

Bill Williams: Well, the plan was to have him introduced into Team Angel, but that was scrapped which works just as well for me. I’m not sure that the vengeance road has room for a full minivan.

For me, I got a solid grip on the character when I had another character ask him why he never went home when Los Angeles snapped back to normal. Eddie Hope’s name became ironic for him in that he considered himself damaged and corrupted by the events of After the Fall. He was afraid that he would poison all of his friends and family if he did not quarantine himself. That put him on an even lonelier road.

So in Angel #39, Eddie has suffered a nasty physical beating and it makes him reconsider what he is doing. There is also a nice callback to the Spike mini-series. It was fun for me to be able to write a few lines of dialogue for Angel in the Angel comics.

My truncated run with Eddie ends with the scene I always intended to conclude the series with, just a bit early. Eddie’s story is over, but in comics anything is possible.

BCR: Fans have been all a-twitter. Is Eddie modeled after Wentworth Miller?

BW: That’s a question for David Messina who is a great guy. An Italian publisher found that we both worked on the Eddie stuff for Angel. They were interested in publishing Italian editions of some work I published in the states and David more or less vouched for both sides so I’m at the contract stage for those foreign rights. Like I said great guy.

When it comes to the art I do my best to leave out any reference to celebrity. It’s one of those things that can really bite you when it goes wrong and I did not know that David would be the lead artist on the Eddie stories until the last minute. I suppose one of the many reasons not to provide reference is the danger that you will end up with bad photo tracing as a result.

I was at the Wizard show in Austin chatting with Brian Denham as he was drawing a Spike commission for a fan and man that guy gets it. He can pull up a photo on his cell phone and draw a likeness that is spot on and not deadened by the process.

That said, I can see a little passing resemblance to the Prison Break actor.

BCR: What was your favorite moment in your tenure as an Angel/Spike writer?

BW: At the end of Angel #38, Eddie has been beaten unconscious by Team Angel. Originally in issue #39, Eddie was to have a hallucination and have a bit of a dream walk where a few stray bits of his character were stitched together and it was surreal and charming and funny. But that bit was cut away in the change over in the creative teams when Willingham left the title.

I liked writing the banter between the Spike and Eddie in the Spike: Devil You Know mini-series, which will be out in trade form early next year. I pitched it as ‘24 with Vampires’, but by the time I was through it was more like ‘48 Hours with vampires’. Spike has such a wonderful sense of humor, that it’s a shame not to use it.

But my favorite bit that hit the shelves was the extended fight between Team Angel and Eddie in Angel #37 and #38. Eddie is fairly certain that the vampires and monsters on Team Angel will kill him if they beat him and Team Angel is furious for the abduction of Gunn. There’s a lot of drama in that fight.

BCR: Now that Eddie's story has wrapped up, what is next for Bill Williams?

BW: I am so far behind in my effort in the National Novel Writing Month. The challenge is to write a 50,000 word novel between November 1 and November 30. To hit that mark, you need to manage around 1700 words a day. I lost a week already as I finished a new comic book project that just hit the digital distributors. So, I need to pull out a few 5,000 word days to hit the writing deadline. The novel is a mystery set in Austin where a young police detective chases a killer and wanders into a variation on a Hitchcock classic.

The reason I lost that week was that I have a new webcomic launching on December 1. A few years back, I wrote a story that is loosely based on some events I lived through when my cat was hit by a car and I had to help him rehab. Biscuit & Lefty: A Cat’s Tale is available for digital download from WOWIO. www.wowio.com/users/product.asp?BookId=223401 It is also in the works with Graphic.ly and Comics Plus and more. It will launch for free as a webcomic on December 1 off of my blog www.billwilliamsfreelance.com which is chock full of fun stuff. The story is so sweet that my letterer Thom asked me if I really wrote it. The art is by Bobby Diaz and me and I’m pretty proud of it. Bobby penciled it and I inked and colored the pages.

At that show in Austin, I talked with Brent Erwin from Ape Entertainment and he seems keen on a pitch I sent in for one of his licensed properties. So I might have a few projects in the cycle from them.

But with the comic book field, you never know.

--

Big thanks to Bill Williams for the interview! Check out the links he provided and be sure to catch the end of Eddie Hope's saga of vengeance in Angel #39.

Bill Williams Interview

IDW Extravaganza

Pat Shand Interviews Bill Williams

Writer of the Eddie Hope backups in ANGEL

and SPIKE: THE DEVIL YOU KNOW

BUFFYVERSE COMIC REVIEWS: For starters, how did you get into writing comics?

BILL WILLIAMS: I backed into writing comics and from there stumbled into writing prose. I have an art degree from the University of Texas and I’m a cartoonist by training. When I was trying to break in as an inker, I needed pages to work on, so I wrote a story and hired a penciler and before you knew it I was making pages and the pages became actual comics. In my college writing courses, I scored pretty well and even had a teacher tell me that I should write for a local paper after reading a movie review I had churned out in class. Since then, I’ve written a novel, a few dozen short stories, a few spec screenplays and fifty plus comics. There are more stories on my plate than I can finish at the moment and a few pitches floating around in some editorial offices.

At this point in my career, I’m more of a crime writer and a fan of the superheroes and the creatures in the supernature. Writing stories about devils looking for revenge and a charming vampire out to remind the world how awesome he is fits me pretty well. I currently split my time between writing and drawing, but more on that later.

BCR: You’re the first writer to tackle a SPIKE series since Brian Lynch essentially redefined the character with his SPIKE trilogy, “After the Fall,” and his upcoming ongoing series. What did you draw from to add your own spin on this fan favorite character?

WILLIAMS: First off, I love Spike. I think the best of the episodes from Angel Season Five starred Spike. I really drew on the early Buffy seasons and the last season of Angel for my tone for Spike. He’s a full fledged hero now and he’s totally engaged with the waking world. Spike seems to enjoy every moment in life. Even when Dru leaves him he feels it, but without all of the pouting.

Spike strikes me as the character that’s always having fun and I wanted the mini-series to reflect that. Comics are too grim and dour. I wanted to find a way to capture a charm and drive of Spike. Playing him off of Eddie worked pretty well because Eddie’s a pretty decent straight man.

In terms of mythology, when the series starts Spike is a character at the cross roads. He’s been told that Angel has dibs on the Shanshu Prophecy and he is shut out. Spike needs to find a new way to live when he meets Andrea in a bar. Since Spike is a hero, she‘s trying to kill him and steal a charm from him, but it sets him more along his true path. So many vampire stories are about family and Spike’s family tree shakes out a real villain.

Spike: The Devil You Know #4

Cover art by Franco Urru

BCR: There are so many aspects of Spike that fans fell in love with. So many people are passionate about the character for different reasons. What about Spike did you want to portray in THE DEVIL YOU KNOW?

WILLIAMS: In a lot of the stories I drew from, Spike had been reduced to a punch line. He was Illyria’s tackling dummy. Spike was the runner up in the Shanshu Contest. That was totally disconnected from the Spike I loved in his early appearances and I wanted to get back to that version of the character. In The Devil You Know, Spike’s competent and fun and charming.

The pitch I sent in to Mariah was detailed enough to give a good road map for ther story, but loose enough to improvise as I was banging out the pages. I think I wrote the first draft of the thing in two weeks. There was a wait and then the rewrites and the search for the art team and we struck gold with ChrisCross and Marc Deering.

BCR: The Buffyverse is my favorite fictional universe, easily. However, even I have to admit that the mythology sometimes suffers when a writer has a good idea. Angel’s facial hair situation seemed to change from “yeah, vampires can grow mustaches, because look how badass he looks” to “what? Vampires? Facial hair? Pshaw.” However, you seem to be making an effort to make the mythology a bit stronger by tying TDYK into the early Buffy episodes by having the Order of Aurelius show up. What about the Order interested you?

WILLIAMS: The World of Buffy plays by a set of rules and I like that about it. For the two series, they created new mythologies out of whole cloth. If they needed a demon casino, BANG there it was and it was never seen again. Same for a special school for Gwen. Here and gone. In most comics we tend to do endless navel gazing and end up choking on continuity. I wanted to bring an awareness of what has come before to the Spike mini-series and if anything, tie Spike into that larger world a little better.

I was struck that the Order seemed to die with The Master. It seemed that he was an order of one and that’s not much of an order. So I created the villain Tansy Fry as a kind of protégé to the Master who had predated Darla as the apple of the old monster’s eye. The nice thing about a character like The Master is that there are long deep pockets of his personal history that can be explored. I see that the Buffy comics are going to be doing a bit of that.

An early idea that I rejected in the writing process was to have a few distant surviving members of The Order arrive in Los Angeles looking for Spike. These badass vampires find Spike and immediately start bowing to him. They ask him to be the new head of the Order. But that approach lacked the conflict and tension that Tansy brought to the story. I wanted to write something bigger than a one joke story.

BCR: Coincidentally, The Master has just showed up in the BUFFY comic. It seems as if the comics are sort of making a return to the roots of the TV series. How do you think writing an ANGEL or SPIKE comic is different than writing an episode of the series?

WILLIAMS: The comic writing process is miles away from the television writing process. I’m based in Austin and I work with people all around the globe with the editor functioning as the coordinator for the stories. Most comic stories have one author. In the television model, the writers are in the same room and there is better collaboration and stories that get off topic can be nipped early on. Recently, I was brought in to by an independent production company to rewrite their pilot for a new one hour drama. I kept half of the original pilot and totally rewrote the back half of the project. That would never happen in comics.

More television writers are now writing comics, so they’re picking up our bad habits. The Master is an interesting plot device. He’s the pater familias of the Order and at the trunk of the family tree that includes Darla, Angelus, Dru and Spike and many others.

BCR: Tell us a bit about the process of developing the Eddie Hope character.

WILLIAMS: When Mariah hired Willingham to write Angel, he wrote a document that detailed where the series would go. It was not exactly a pitch document, because he already had the job. He pulled me into the project and set aside four pages a month for my little Eddie stories. I’m grateful for the work and the time in front of the audience. But Eddie was born as a single paragraph in that original document.

At our annual Clockwork writing retreat I wrote and emailed to Willingham my first Eddie story. He told me that I was missing the point and that the original script did not illustrate the premise. So, I told him that I could just have Eddie walk into a bar and kill someone. He said go with that. So the first story became the second story and I was off and writing.

For the sixth script, I had started Eddie off in a fight club story. Behind the bars in Whedon’s LA, there was always a demon fist fight going on and I wondered what would happen if someone organized that and made it a pay per view contest complete with wagering. So Eddie was in the middle of that and it was a story about Eddie taking a beating, a real hard loss. I turned in the first chapter of that story and thought about it a bit more. Then I contacted Mariah and told her that I wanted to get a do over and that I thought it would be more interesting to have him slam into Gunn and through him get into a fight with Team Angel.

I got the emotional handle on Eddie when I had a woman from his past track him down to ask him why he had not come home after LA left Hell. Answering that question gave me more insight into Eddie’s head.

By the time all is said and done, I think I wrote twenty Eddie stories and a dozen will see the light of day. I may rework and reuse elements of some of the stories that never left my hard drive.

Angel #38 Variant Cover

Art by David Messina

BCR: With Eddie Hope’s story rushing toward its climax, fans have been wondering if the character is going to get closure or not. Without spoiling, any thoughts?

WILLIAMS: If you do not close a story, you’re writing a soap opera. The best stories have ends. The artistic value of stories falls if the story never ends. The Wire ends. The Watchmen ends.

Writing an ending is tricky. It’s the hardest part of the process. I compare the ending to the dismount in a gymnastic routine. You have to stick the ending if you want a story to sing. The movie Michael Clayton has a bit of unnecessary non-linear storytelling, but it mostly works. It’s popular to hammer on Clooney, but he’s pretty good in that movie and it could go either way. But then within the last few moments, he delivers a total verbal smack down to someone who has it coming. That final dramatic scene saves that movie. As you can see I think they have to end. The thing is that the next morning, the next story starts.

Eddie gets a decent send off. It ends the way I always saw the story ending, just too soon.

BCR: It’d been said that you were months ahead on the Eddie scripts. Was there anything you wanted to do with the characters that fans won’t get to see?

WILLIAMS: In the spring this year, I finished writing my Eddie stories so that I could free up my schedule enough to finish writing a detective novel. Given the option, I wrote a year’s worth. I love the character and the world around him. At Mariah’s instruction, I had written the Eddie stories through issue #44. My run’s a lot shorter than that now. My last issue is #39 and it was written after all of the changes had shaken out. Originally, there was the story about the woman from his past. I wrote a long hallucination that Eddie endured as he recovered from a beating. There was a three part stranger in town story where Eddie realizes that the locals are corrupt as they are giving him a beating. And finally, I wrote a killer two-part story about Kate and Eddie killing demons in a police substation.

I wanted to do more with Kate the cop. In the Angel television series, she had originally been fired from the police force for being obsessed with the creatures in the supernature. Then LA went to Hell and proved her points. I figured that she could give the mother of all I Told You So’s to the department, but she would have too much class for that. In the back of my head, my plan was to make her the liaison between Angel Investigations and the regular authorities in LA. Of course at the time, I had assumed that I would have a long run on the characters with Willingham.

I don't want to say too much about what else we had planned, because I don't know how much of the original blueprint the new writing team will use.

Angel #37 Variant Cover

Art by David Messina

BCR: You touched on Gunn’s emotional state, which has sort of been pushed to the side in the main storyline since #23. Where do you think Gunn’s head is at, and do you think his experience with Eddie Hope has changed him as a character?

WILLIAMS: There has to be a way to reconcile Gunn’s acts in hell with his current life and his survival. In the Buffyverse, the bad guys get punished just like in any morality play. Gunn lives. I have the feeling that it will be something with satisfying conclusion at the hands of the new writing crew coming onboard with Season Nine.

BCR: Is Eddie only after people who committed atrocities in Hell? He seems almost Rorschach-esque in his black and white morality, but then he works side by side with Spike, a known murderer. Why is he okay with Spike being alive but so opposed to Gunn (who wasn’t in control of his actions) living to see another day?

WILLIAMS: Eddie’s not a big objectivist. He’s more pragmatic than that. Assuming that we all want to change the world for the better, most of us fumble around for the best place to start. When Los Angeles went to hell, Eddie got up close and personal with truly evil people as a part of his devilish transformation. He knows the people that went through the process with him. Now that he’s out and about and a devil, he is pretty sure that one of the quickest ways to fix the world is to remove those people from it. In hindsight, he might have just left Gunn off of his list the way you might forget where you put your car keys.

As to Spike, one of the things that troubles me about the Buffyverse is the perfect relay of information. Everybody knows everything. Everyone knows that Angel and Spike are official heroes. If you look out your window, you see our modern society is polarized. People are said to have their own facts. That makes Eddie something of a skeptic. Eddie might come after Spike under different circumstances.

But if you reread the first issue, Eddie is ambivalent to Spike’s suffering as our beloved vampire hero is fighting the bodybuilder vampires. At this point, Eddie considers vampires evil because they eat people. At the least, they are the kind of predator that you should keep an eye on. Later, Eddie halfheartedly considers staking Spike. I think that they are both waiting to see what the other guy proves to be.

BCR: You worked with Willingham on the main ANGEL title for a year, and got a chance to pen your own SPIKE tale. Not many men can say the same. How would you sum up your experience working with IDW on such a landmark title?

WILLIAMS: I worked with Willingham before when I published his Pantheon mini-series through my little company back in the day. He’s a lot of fun to sit and have a story session with. Trust me, you’d better bring your ‘A Game’ because he’s sharp. The insight on the introductory script was a revelation for me.

The people at IDW have been nothing but nice with me. Chris Ryall and Mariah Huehner and Alonzo Simon have done their best to make this a smooth process and I’d love the opportunity to work with them again.

BCR: Now that you’ve worked on ANGEL, where can the folks who loved “Devil You Know” and the Eddie Hope stories find more of your writing?

WILLIAMS: It made sense to launch a website showcasing all of the stuff I’m doing for other publishers. So, last month I launched www.billwilliamsfreelance.com which has a load of fun stuff in addition to the shameless self-promotional plugs that the internet is famous for. Any of the pitches I manage to get greenlit will have an announcement on that page when the time is right.

Mystery fans might want to go download a trio of short detective stories at WOWIO. You’ll need a pdf reader, but I posted a free short story collection called Young & Foolish that is set in my hometown of Austin, Texas. http://www.wowio.com/users/product.asp?BookId=6702

And webcomics fans might want to go check out my weekly webcomic about Super-Powered female body guards. It’s called SideChicks and there is a hundred and fifty pages of free content parked at Graphic Smash. http://www.graphicsmash.com/comics/sidechicks.php I’d like to put the webcomic out more often, but the inking and coloring on top of the freelance writing keeps me busy.

Sidechicks- a webcomic written by Bill Williams

This image is also inked and colored by Williams

BCR: Were you a big ANGEL fan before working on the book?

WILLIAMS: To be honest, I never caught the wave when it first hit. But the Angel television series was in syndication here in Austin and it was on late at night when I was working on freelance stuff. It ran after something I was already watching so more than once, I looked up and caught the show. Slowly but surely, I got hooked on the mystery/ detective angle and watched the syndicated run through to the end of the last season. When I got the chance I picked up the whole series on DVD. I’d gone through the first season on DVD when Willingham called and gave me the good news that we were the new team on the Angel comic from IDW.

So I went through the next four seasons and put together a document that I called my Angel Bible so that when it came time to ground stories in that world, I had a road map. After doing the cross-referencing with the wikipedia pages, I was ready.

And of course, I read Brian Lynch’s Angel series from the relaunch. When Willingham asked me what was going on with that series, I was able to boil it down for him.

BCR: What do you think it is about ANGEL that makes fans so passionate?

WILLIAMS: Angel is a classic character in that he was caught in a star-crossed romance. Time had its way with Buffy and Angel, and they failed as a couple. I think Angel has a lot of charm because in many ways he is a very modern and a very adult take on the classic romantic hero.

Thanks a lot, Bill!

Readers, make sure to pick up SPIKE: THE DEVIL YOU KNOW #4! It's out in comic shops today. I just finished reading it, and it was a solid end to a cool Spike adventure.

Print and some video interviews with David Messina, Jenny Frison, Mariah Huehner, David Tischman, Brian Lynch, Stephen Mooney, and more coming soon!

David Messina Interview (With New Previews, Covers, and Major Major Stuff)

Just call this Buffyverse Comics-Con, because damn we've got some crazy stuff here. The main attraction is an interview with David Messina, who has been doing the art for ANGEL as long as IDW has had it. We were really lucky to get insight into the process of the most prolific man in comics, and get ready for some crazy images in the interview.

Buffyverse Comic Reviews: How did you originally get involved with IDW? With the ANGEL title?

David Messina: I was introduced to Chris Ryall by a common friend (Alexandra DeCampi) who told me that Chris was looking for someone to draw an upcoming miniseries based on a tv show: Angel.

The funniest part was that I'm a longtime fan of Angel (I've learned English watching the TV show DVDs) and when Chris contacted me, I had just finished some sketches of Angel that I wanted to show to the Dark Horse's people (I was ignoring that Angel's licensing passes to IDW) so I sent those sketches to Chris.

Preview pages from Angel: Only Human #1

BCR: The first comic I ever bought was ANGEL: Old Friend #2 (I know, I'm a noob). After getting and enjoying that, I collected the entire IDW Angel line, from "The Curse" all the way up to the current stuff. Watching your style evolve from your already amazing work in "The Curse" to your recent stuff has been a joy. Can you talk a bit about the progression of your style?

Messina: It's like I started a long journey, and it's still unfinished! When I started, I was really concerned about the likeness. So with "The Curse" I was really concerned to be realistic, to nail the likeness with the actors, and I was afraid to become stiff... Then I started to work on "Old Friends" where I tried a different way. My favorite artist in those days was Chris Sprouse and all the old Disney animation school, so I try to make my style more cartoonish and grotesque. I exasperated Angel's body (really bulk) and every characters likeness in order to make them more recognizable. But I was still unsatisfied... Each series was an experiment. An attempt to make the characters recognizable and find the best way to tell a story, which is the most important thing in this work. I had try different tools, for example Auld Lang Syne was almost entirely inked with common pen instead ink pen!

I start to feel in the right path (but even now, I don't know where it will bring me) during the work in progress of Star Trek: Mirror Images...

Preview pages for Only Human

BCR: Aside from your work on ANGEL comics, I heard that you were a teacher and mentor to the "A Hole in the World/Shells" artist, Elena Casagrande. How does it feel now that your student is on a title as big as ANGEL?

Messina: I'm really proud of her! I teach in the most important Italian school of comics, and I meet a lots of young people that loves this work. Several of my best pupils have become great artists. Aside from Elena, I'd like to remember Mirco Pierfederici (Doctor Who, Angel: First Night and now at Marvel) Sara Pichelli (with me on Mirror Images and now on her arc on Runaways) and Andrea Fattori my inker on Angel The Curse and now one of the greatest artist in the most important Italian Publisher.

I was often at work on several projects at the same time and I work with my best ex pupils as backgrounds finishers or as inkers. All those collaborations also become the start of a beautiful friendship.

With some of them I share a lot of passions, especially with Elena, we are great fans of Angel, so it was really fun working together on Smile Time, where we enjoy filling the pages with Easter eggs and details.

Smile Time B&W page

BCR: What is the process like when you collaborate with artists like you did with Elena on "Smile Time"?

Messina: It depends of what I need;I usually have a straight idea of how the book should appear, and I know very well the weakness and the strength of my assistants, so I choose them to help me according to their skills, without losing my mark on the book. Usually they work with me as inkers or background finishers.Smile Time was different: I had start with a rough pencil of the pages that Elena finished, then I supervise each page, and she starts with the inks that I finish. But sometimes you can find pages done completely by me because they are particularly exciting to do.

Eddie Hope (see the final question)

BCR: You've worked on many Angel books, as well as countless others for IDW. Out of all your work, what miniseries or one-shot are you most proud of?

Messina: Mmmm....usually I'm really hard with my own works. I'm really picky, but if I have to tell you which book I prefer I can say the Illyria short story and Spike’s First Night 'cause they had great stories with some of my favorite characters; and then my last work Nero where I'm not only penciler and inker but I paint most of background by myself...

BCR: I noticed that the September solicits have at least one thousand comics with your name on them. How do you find the time to work on all these books? Does your hand hurt? Are you magic?

Messina: Ahahhah!

I'm not magic...but honestly sometimes my hand hurts! I was working on Spock: reflections with my longtime friend Scott Tipton, when Scott Dunbier (my Star Trek editor) told me about Nero's series. The Nero's series was a project which Mike Jhonson (one of the two writers of Countdown) spoke me about when we meet at NYCC and I was so excited to draw it! So I shared my work on Spock with Federica Manfredi (in the same way I do with Elena Casagrande on Smile Time) and I started to work on Nero (where the secrecy of most of the references didn't allow me to work with any assistant.

After a couple of pages of Nero (and an issue of Spock:reflections) Chris Ryall (who maybe knows me better than everyone else!) told me if I was interested to work on a Illyria/Gunn's book...

I'm a really great fan of the character of Gunn and I'm really in love with Amy Acker and the Illyria characters, I thought to say no, for almost 2 seconds, then I put together a team with Ilaria Traversi at the colors and one of my pupils (Gaetano Carlucci) at the inks and I started to work on this other book too!

So, after I've done all the layouts of each issue of Spock: Reflections, Nero and Angel: Only Human, everyday I do the pencil of a page and ink one page of Nero, and I do another pencil of a page of Angel Only Human, and the late night I supervise the work of the colorists, and the pencils and inks of Spock's series...

...and I'm not mentioning Wide Awake and another secret project for another publisher...

Angel: Only Human #3 cover

BCR: Who is your favorite character from ANGEL to draw?

Messina: Illyria most of all! She's beautifull, creepy, and sad at the same time. She's an old one demon with the memories of the most sweetest girl you could imagine...how is it possible to not love her?

My other favorite character is Wesley. He's a great character grown episode after episode, season after season. The playing of Alexis Denisof is awesome, he carried Wes from a comic support character to one of most dark and sad characters of all, I really love his work.

Angel: Only Human #2 cover (B&W)

BCR: What can we expect from ANGEL: Only Human?

Messina: A lot of crazy action and some interesting revelations about Illyria and Gunn's past.

It's a story about the memories of who they were, and about who they'll become...

...and there's a lot of COOL demons!

Have I already said about the crazy action?

Eddie Hope pin-up (read on)

BCR: After that miniseries, is there any more ANGEL stuff we can expect from you?

Messina: Yep! It's something related to the new arc of Angel and a new really exciting challenge for me! He's called Eddie Hope, and he's the main character of the Angel's backstory in Willingham next run. It is a strong story of revenge and redemption in perfect Whedon's style and I think that Angel's fans will love him, and I'm pretty sure that they will ask for more.

Thanks so much David Messina! You've done so much for us fans and we really appreciate it. As long as you keep doing it, we'll keep reading!